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Handheld mic

post #1 of 8
Thread Starter 
I'm a freelance photojournalist and I need to record audio interviews in the field. I'm about to purchase a solid state recorder such as the Marantz PMD660, and I'm looking for a microphone to go with it. The PMD660 has balanced XLR inputs and provides phantom power.

In addition to conducting interviews I will also need to capture wild sound and room tone for editing. I'd like to get one mic for each job, but my budget is $200 max. Any suggestions?
post #2 of 8
http://froogle.google.com/froogle?q=...&lmode=unknown
The EV 635a is the industry standard. And being an omni, will pick up ambiance.
post #3 of 8
Video Journalist or no? Namely are looks a concern? EV definitly makes some nice mics, I am not to familiar with that one in particular so it is definitly a good possibility. I dont do journalism myself so any suggestions I give would be based off my experience in live sound and recording.

Seablade
post #4 of 8
Thread Starter 
olyteddy: Thanks. Let me add a couple more variables to the equation. How does this mic do with wind noise? Can it be fitted with a windscreen? Also, I was thinking about shotgun mics; I may not always be able to hold the mic close to the speaker's mouth, or I may be interviewing a small group and would have to stand back some. Also, I'm a still photographer and may have to shoot while recording the audio. I've heard of people mounting their shotguns on the camera hot shoe. Anything available in my price range? Would a shotgun also be OK for picking up ambient? I know you can get windscreens for them... Thanks.

seablade: audio only. Nobody's gonna see it.
post #5 of 8
Ok ideally with wind noise you would want an Omni mic like the one suggested as t hey handle wind slightly better than the rest of the pickup patterns due to the lack of proximity effect.

Shotguns.... Eh you wont get the best sound unless you invest more money than you are looking to spend I dont think, and especially for group interviews they wont work really well as if someone starts talking in the group and the shotgun is pointed at someone else, you will lose that conversation entirely.

However if you are looking for something to mount on a camera to pick up what your camera is pointed at a shotgun wouldnt be a bad idea.

Unfortunatly it looks like what you are describing are several different situations that would all require different approaches/mics. For your basic tpye of situation with interviews, especially outdoor ones, I might consider the omni reccomended above(There are alternatives, but as I havent heard the one above I cant compare against it) to start with. Then you can start adding mics as budget and means become availiable. Pick up a mic stand for that person that you are interviewing to talk into if you need to, mounting an omni on a camera is going to pcik up that camera VERY well, and what you are shooting not so well.

If you do a LOT of camera shooting a shotgun would be better, though to be honest even in that case I would still try to get the mic away from the camera. There is a reason when dealing with shotguns there is usually a person dedicated to each shotgun, that way they can adjust to keep people on axis as much as possible, they are very sensitive to axis changes.

Seablade
post #6 of 8
By the way make sure you check reviews on the Mic Preamps on that Marantz before you pick it up. Marantz used to be pretty good for the money, but I picked up the 670 and have been very dissapointed in the mic pres, they were bad enough it caused the release of the 671 for an extra 400 bucks. Make sure the mic preamps arent to noisy, otherwise youll hate your interviews.

Seablade
post #7 of 8
Oh and the Omni would do well for capturing ambience and room tone. Specific sounds in the wild though are better captured with shotguns as you can probably guess.

Seablade
post #8 of 8
Thread Starter 
I guess I'll get an omni and rent a shotgun as needed. Thanks for your advice.
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